Dana Powell, Alejandro Mego, Martín Chambi, Lucas Rubly, Kazuki Matsushita, Daichi Takagi, Majo Guerrero, Aya Higuchi, Joseph Jones, Alexandra Noel, Nohemí Pérez, Beaux Mendes, Lin Olschowka

Postales

14.08 - 12.09.25

Press Release


Martín Chambi – Postales Galeria Gato is pleased to present Martín Chambi: Postales, on view from 14 August – September 15, 2025. The exhibition revisits the legacy of the pioneering Peruvian photographer through the lens of contemporary artists working in small format. Through their respective approaches, they reimagine the possibilities of landscape in our ever changing world. Martin Chambi is widely regarded as one of the most significant artistic figures from Peru, having defined an indelible visual legacy through his iconic photographic work in the early 20th century. With a strong sense of his indigenous roots, Chambi focused his lens on documenting the lives, traditions and surroundings of the Southern Andean people, particularly after establishing his own photographic studio in 1917 - first in Sicuani and then Cusco. To the world at large, Chambi's outsized influence was first recognized and appreciated through the diminutive format of the postcard, which provided an accessible vehicle through which to disseminate his images to a global audience. This moment coincided (and arguably lay the visual vocabulary for) the cultural and political emergence of an Indigenist movement, cementing a sense of place and locale. The exhibition looks back at this body of work, exhibiting a series of original photographic postcards from the early 20th century. Documenting all the minutes of everyday life, these images are startling in their depictions of a nascent urbanity as well as a complex relationship to nature. Juxtaposing the quotidian against the idyllic, Chambi creates a holistic view of a shifting world, where new balances are lost and achieved, and the bounds of nature are constantly re-negotiated. He also displays a keen awareness of the ‘artifice’ of landscape as he both proliferates and undermines its codes and clichés. The contemporary artists included in the exhibition inhabit a radically different context, yet they too turn to the small format landscape to explore our swiftly changing sense of place. Speaking from numerous locales, they share a common thread as they try to capture the instabilities that define our moment. They also speak to the landscape in a post-digital, post-social media era where the lines between the natural and artificial have become blurred beyond recognition. In response, they offer a series of human-scaled moments of chance, intimacy and imaginative discovery. The exhibition features Martin Chambi in dialogue with works by Majo Guerrero, Joseph Jones, Aya Higuchi, Kazuki Matsushita, Alejandro Mego, Beaux Mendes, Alexandra Noel, Nohemí Perez, Dana Powell, Lucas Rubly, Lin Olschowka & Daichi Takagi. Franklin Melendez

Love
2025 Oil and acrylic on linen 21 x 14 cm.
House 32
2025 Oil on canvas 25 x 25 cm
Torreon
1940 Printed and analogically processed on fiber-based baryta paper – silver bromide 24 x 16 cm unframed
Nemophila & Seaside
Nemophila 2024 Oil on canvas 48.5 x 41 cm. Seaside 2024 Oil on canvas 49 x 41.5 cm.
Father Unearth
2024 Oil and enamel on wood panel 15.2 x 17.8 x 1.9 cm
Moonlight
2025 Oil on linen 22 × 33.5 cm
Camino
2025 Oil on canvas 25 x 30 cm
Untitled
2024 Oil on marble dust on panel 20.3 x 27.9 cm. 2023 Charcoal, ink, oil and acrylic on marble dust on panel 25.4 x 20.3 cm
Untitled
2025 Oil on canvas 25 x 25 cm
Ideal Projection Surface
2025 Acrylic on chalk on wood 26.5 x 46 cm.
Bathroom in pilot (a limitporn booth),
2022 Oil on canvas 65.2 x 53 cm
Serpientes
2025 Oil on canvas 100 x 70 cm
Transformer
2025 Oil on linen 30.5 x 30.5 cm
Corazón
2025 Oil on canvas 30 x 30 cm
Untitled
2025 Oil on canvas 30 x 40 cm
Altar
1938 Printed and analogically processed on fiber-based baryta paper – silver bromide 17.5 x 23 cm unframed
Cerro Putucusi
1940 Printed and analogically processed on fiber-based baryta paper – silver bromide 17.5 x 23 cm. unframed
House 52
2025 Oil on canvas 30 x 40 cm
Moon Ring 2
2024 Oil on linen 20.3 x 15.2 cm
Intiwatana recinto, Machu Picchu
1928 Printed and analogically processed on fiber-based baryta paper – silver bromide 96 x 143 cm